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Film Festivals

Alex Heeney / January 27, 2014

Sundance Review: Steve Coogan and Rob Brydon charm in The Trip to Italy

Looking over the skulls at the Fontanelle Cemetery in Naples in The Trip to Italy, Steve Coogan begins to quote Hamlet to his companion in travel and comedy, Rob Brydon: “Alas, poor Yorick! I knew him, Horatio: a fellow/ of infinite jest…Where be your gibes now? your/gambols? your songs?’”. This famous speech could be the thesis […]

Alex Heeney / January 26, 2014

Sundance Review: Hong Khaou’s film Lilting explores grief with Ben Whishaw

Hong Khaou’s feature film debut, Lilting, is an exploration of grief, family, and the trauma of immigration. The film premiered at Sundance. Is there anything Ben Whishaw can’t do? He played Hamlet in the West End at twenty-three, Keats in Bright Star, Q in Skyfall, a timid but potentially dangerous young man in Criminal Justice, and […]

Alex Heeney / January 24, 2014

Sundance Review: Boyhood, or how to grow a masterpiece

By far the best film I saw at Sundance this year was “Boyhood”, the second consecutive masterpiece from writer-director Richard Linklater (“Before Midnight”). Shot in 3-4 day periods over twelve years, it captures the growth of Mason (Ellar Coltrane), from boy to teenager to young adult, in real time. Although the title suggests this is […]

Alex Heeney / September 23, 2013

TIFF 2013 Review: The Disappearance of Eleanor Rigby: Him and Her tells both subjective sides of the dissolution of a relationship

The modern relationship movie has more and more become an attempt to acknowledge that any relationship story has two subjective sides, which must be told. In Hans Canosa’s Conversations with Other Women, the film finds objectivity through a split screen that ensures a camera is on both its characters at all times: it’s a different […]

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