This year marks my 12th time attending the Toronto International Film Festival, meaning I’ve been coming here for nearly half my life. After making the rounds on the film festival circuit this year – first at Sundance, then at Cannes – I’m still a firm believer that TIFF is the best film festival of them […]
Film Festivals
An intriguing stranger is bad news in the entirely original Borgman
A hobo and a charmer, Camiel Borgman (a restrained and compelling Jan Bijvoet) may seem sympathetic at the start of writer-director Alex van Warmerdam’s bizarre but compelling Borgman, but then again, Ruth Gordon seemed too lovable to be in the business of buying babies for the devil. Although Borgman can accurately be described as part psychological […]
Review: We Are The Best! is a winning and funny film about gutsy, punk-loving teenage girls
We Are The Best!, the uproariously funny and buoyant new film from Swedish auteur Lukas Moodysson, follows a trio of teenage girls who form a punk rock band.
Reviews: The Rover and El Ardor — On the fringes of society, you have to kill to survive
Two wonderfully atmospheric films screening Out of Competition at Cannes this year, The Rover from Australia and El Ardor from Argentina, take a look at the savagery that happens on the fringes of society.
Cannes Review: Argentina’s Wild Tales is inventive, funny, but uneven
After this review of Wild Tales, read our coverage of the Cannes film festival. Argentinian Director Damian Szifron’s Wild Tales, an uneven series of short, darkly comedic films, slyly woos you in with a perfect, taut beginning: an uproariously funny tale of a strange coincidental encounter. A model gets on a plane and finds herself sitting […]
Cannes Review: The Captive is captivatingly tense but shallow
The best thing about The Captive, Atom Egoyan’s entry in this year’s Official Competition at Cannes, is the way it doles out information slowly. Egoyan frames each shot so precisely so that we’re always aware of what we’re not seeing, creating suspense as things are revealed. We open on an icy, tall man, Mika (Kevin […]




