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In Her Chair

Female-identifying directors reflect on their experiences making films and leading creative teams.

Alex Heeney / September 2, 2015

TIFF15 interview: Ninth Floor director Mina Shum discusses Canadian racism

Ninth Floor director Mina Shum: In Canada, “We’re racist but we like to apologize about our racism.” Shum discusses Canadian racism and her new documentary. 

Unexpected, Kris Swanberg

Alex Heeney / July 22, 2015

Kris Swanberg on Unexpected, her female-driven pregnancy film

Kris Swanberg’s Unexpected is a quiet film full of small, wonderful revelations about what women go through during pregnancy. Swanberg maintains the perspective of the female characters throughout: the men come and go, but the women are always on-screen, often dealing with pregnancy alone.

Alex Heeney / May 8, 2015

Director Shira Piven talks Welcome to Me, Chauncey Gardner, and finding comedic rhythms

Kristen Wiig stars, in Shira Piven’s Welcome to Me, as a woman with borderline personality disorder who wins an 86 million dollar lottery and decides to use her winnings to create her own Oprah-like talk show all about her. The Seventh Row sat down with Piven to discuss her aesthetic approach, the influence of Chauncey Gardner, and finding the […]

Advantageous, Jennifer Phang, Netflix

Alex Heeney / May 2, 2015

Advantageous director Jennifer Phang talks bringing feminist sci-fi to the screen

Writer-director Jennifer Phang’s Netflix film Advantageous is a feminist science fiction film for lovers of French New Wave cinema and intimate family dramas. It deals with issues of race, motherhood, and economic hardship.

Sally El Hosaini, My Brother the Devil

Alex Heeney / February 15, 2015

SFFS Artist-in-Residence Sally El Hosaini on writing and directing My Brother the Devil

Sally El Hosaini’s directorial debut, My Brother the Devil, is a touching and sensitive story of two Arab brothers in Hackney, London. During her sojourn in San Francisco as the San Francisco Film Society’s Artist-in-Residence, I sat down with El Hosaini to discuss her writing process, working with non-actors, her shoot, and her approach to the film’s aesthetic. […]

Céline Sciamma, Girlhood

Alex Heeney / February 1, 2015

‘Cinema is the only art ever where you share somebody’s loneliness’ and other insights from Céline Sciamma

Céline Sciamma discusses her third film Girlhood: the genesis of the film, how cinema is the only art form in which you can share someone else’s loneliness, and how she created the remarkable Rihanna scene.

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