Director Anne Zohra Berrached discusses 24 Weeks — her Berlinale Competition film about a couple who must decide whether to have a late abortion when they discover their child will have Down Syndrome — about the challenges of the subject matter and why she wanted non-professional actors for some of the parts.
In Her Chair
Female-identifying directors reflect on their experiences making films and leading creative teams.
Unlocking the Cage on chimpanzee rights
Do intelligent non-humans like chimpanzees, elephants, and dolphins deserve human-like rights? According to Steven Wise, the animal rights lawyer at the centre of Chris Hegedus’ and D.A. Pennebaker’s documentary Unlocking the Cage, it’s overdue.
Anna Rose Holmer on her Sundance hit The Fits
Holmer discusses how working with the New York City ballet influenced her film, how she used sound and editing to tell the story, and the shooting rules she set for herself.
Penny Lane on NUTS!: a gullible audience
Penny Lane talked to us about the importance of pacing in the film, why they used animated re-enactments, and how to think about documentary film.
Elite Zexer on Jury Prize Winner Sand Storm
Zexer and lead actress Ammar talk about preparing for the film, how Zexer prioritized performance when shooting the film, and the knockout ending.
Maggie Greenwald on Sophie and the Rising Sun
Maggie Greenwald’s Sophie and the Rising Sun is an unconventional period piece about race, public and private spaces, and romance. Set in 1941 in the South, the mysterious arrival of a badly beaten Japanese man disrupts small town life.