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Film Interviews

Interviews with female directors / Index of Interviews

Here you will find all of our interviews with film directors, actors, cinematographers, and more.

Falls Around Her, Darlene Naponse

Alex Heeney / September 9, 2018

Interview: Falls Around Her centres a complex, middle-aged, Indigenous woman

Writer-director Darlene Naponse on Falls Around Her, making a film about an unconventional protagonist, capturing the beauty of a landscape through both visuals and sound, and the respect and care required to film on reservation land. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.

Alex Heeney / September 8, 2018

Interview: Carmel Winters on her TIFF Discovery film Float Like a Butterfly

Irish writer-director Carmel Winters discusses her second feature, Float Like a Butterfly, a female coming-of-age story set in the 1970s amongst the Irish Travellers community.

Woman at War, Benedikt Erlingsson

Elena Lazic / September 1, 2018

‘We are at war with ourselves’: Benedikt Erlingsson discusses Woman at War

Benedikt Erlingsson discusses his highly entertaining yet deeply moving and sincere second feature Woman at War, about an eco-warrior who also wants to be a mother.

Let the Corpses Tan, Hélène Cattet, Bruno Forzani

Elena Lazic / August 27, 2018

‘Making visceral images demands a lot of preparation’: Hélène Cattet and Bruno Forzani discuss Let the Corpses Tan

Directors Hélène Cattet and Bruno Forzani discuss adapting a novel for the first time, creating visceral rather than ornamental images, and the unique approach they demand from their actors.

Ashley Connor, The Miseducation of Cameron Post

Orla Smith / August 17, 2018

Behind the Lens: The Miseducation of Cameron Post DP Ashley Connor

Placing The Miseducation of Cameron Post and Madeline’s Madeline side by side, it seems like DP Ashley Connor can do anything. Read more interviews with cinematographers in our Behind the Lens series.

Alex Heeney / August 13, 2018

Editor Jane Rizzo: ‘There’s very little story, so it is about building the moments’

Editor Jane Rizzo discusses cutting Leave No Trace, developing the father-daughter relationship, building the soundscapes for different locations, and restructuring the story in the edit. This is the sixth article in our  Special Issue on Debra Granik’s Leave No Trace , which is now available as an ebook.

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