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Film Interviews

Interviews with female directors / Index of Interviews

Here you will find all of our interviews with film directors, actors, cinematographers, and more.

24 Weeks

Elena Lazic / February 20, 2016

Anne Zohra Berrached on 24 Weeks at Berlinale

Director Anne Zohra Berrached discusses 24 Weeks — her Berlinale Competition film about a couple who must decide whether to have a late abortion when they discover their child will have Down Syndrome — about the challenges of the subject matter and why she wanted non-professional actors for some of the parts.

Glassland, Gerard Barrett

Alex Heeney / February 11, 2016

Gerard Barrett on addiction and loneliness in Glassland

Irish writer-director Gerard Barrett’s second film, the sensitive and heartbreaking “Glassland” — about an almost grown boy, John (Jack Reynor) and the stress he faces when he’s forced to become his parent’s (Toni Collette) parent — premiered at Sundance last year. Barrett discusses how he got interested in the film, how he works with actors, and how he designed the aesthetic for the film.

Alex Heeney / February 9, 2016

Unlocking the Cage on chimpanzee rights

Do intelligent non-humans like chimpanzees, elephants, and dolphins deserve human-like rights? According to Steven Wise, the animal rights lawyer at the centre of Chris Hegedus’ and D.A. Pennebaker’s documentary Unlocking the Cage, it’s overdue.

The Fits

Alex Heeney / February 2, 2016

Anna Rose Holmer on her Sundance hit The Fits

Holmer discusses how working with the New York City ballet influenced her film, how she used sound and editing to tell the story, and the shooting rules she set for herself.

Penny Lane

Alex Heeney / February 1, 2016

Penny Lane on NUTS!: a gullible audience

Penny Lane talked to us about the importance of pacing in the film, why they used animated re-enactments, and how to think about documentary film.

Elite Zexer

Alex Heeney / February 1, 2016

Elite Zexer on Jury Prize Winner Sand Storm

Zexer and lead actress Ammar talk about preparing for the film, how Zexer prioritized performance when shooting the film, and the knockout ending.

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