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World Cinema

Under-the-radar non-English language filmmakers talk about their artistic processes.

Elena Lazic / March 6, 2019

‘For me, cinema is where we can speak to our own fragility and vulnerability’: Mikhaël Hers discusses Amanda

Mikhaël Hers talks about his approach to tragedy in Amanda, which follows a young girl and her uncle as they reckon with the consequences of a terrorist attack. The film is screening in the Rendez-Vous with French Cinema festival at Lincoln Centre in NYC on March 9. If terrorist attacks are becoming more frequent in […]

Ciro Guerra, Birds of Passage

Elena Lazic / February 25, 2019

Birds of Passage co-director Ciro Guerra on genre, tragedy, and hope

Ciro Guerra discusses Birds of Passage, telling a familiar story in an original way, using genre as a Trojan horse for ideas, and much more. Read our interview with co-director Cristina Gallego here. Previously, Cristina Gallego talked to us about the sense of destiny in Birds of Passage, as well as the film’s striking visual […]

Birds of Passage, Cristina Gallego

Elena Lazic / February 25, 2019

Cristina Gallego on fate and tradition in Birds of Passage

Cristina Gallego discusses the genesis of the project, the use of bright colours in a gangster film, and much more. Read our interview with co-director Ciro Guerra here.

Elena Lazic / January 10, 2019

Nadine Labaki on the making of Capernaum, her most ambitious film to date

Nadine Labaki discusses Capernaum, an unflinching look at the poverty and injustice in the slums of Beirut told through the eyes of a child (Zain Al Rafeea) suing his parents for giving him life.

Wanuri Kahiu, Rafiki

Orla Smith / October 23, 2018

Rafiki interview: ‘Falling in love is when you giggle and blush the most’

Director Wanuri Kahiu discusses her controversial debut feature, Rafiki, a lesbian film which has faced bans in Kahiu’s native Kenya.

Alex Heeney / October 19, 2018

Gustav Möller and Jakob Cedergren on The Guilty: ‘Prepare for chaos’

Promising filmmaker Gustav Möller and breakout actor Jakob Cedergren discuss their intense thriller, The Guilty, set entirely in one location, with only one character visible during most of the film.

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