• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • Shop
  • Join Reel Ruminators

World Cinema

Under-the-radar non-English language filmmakers talk about their artistic processes.

Alex Heeney / March 23, 2022

Oscar nominee Eskil Vogt on writing The Worst Person in the World

Oscar nominee Eskil Vogt discusses co-writing The Worst Person in the World, writing naturalistic dialogue, and more.

A collage of stills from The Worst Person in the World star Renate Reinsve, in front of a purple and pink patterned background.

Lindsay Pugh / January 19, 2022

Renate Reinsve: ‘I wanted her to be strong in the chaos’

Renate Reinsve, the Cannes Best Actress-winning star of The Worst Person in the World, opens up about her breakout role.

A headshot of interview subject Radu Jude in a blue shirt, smiling, in front of a blotchy pink and purple background. Next to him are a series of circular stills from his films, the central one being from his latest, Bad Luck Banging or Loony Porn.

Per Morten Mjølkeråen / January 17, 2022

The historical gaze of Radu Jude

Radu Jude won the Golden Bear at the Berlinale for Bad Luck Banging or Loony Porn. We sat down with him to discuss the film, and his career-long interest in how history shapes contemporary life.

Alex Heeney / December 3, 2021

‘A story about finding home’: Jonas Poher Rasmussen on Flee

Flee, the multi-award-winning animated documentary, is now in US cinemas. Here’s why animation was the best way to tell this story.

Alex Heeney / September 22, 2021

Arsalan Amiri on making a realistic genre film, Zalava, in Iran

Writer-director Arsalan Amiri and co-writer Ida Panahandeh discuss their first foray into genre territory, Zalava, which won prizes at the Venice International Film Festival.

A still from The Gravedigger's Wife behind a headshot of director Khadar Ayderus Ahmed. The text on the image reads, 'TIFF interview'.

Orla Smith / September 18, 2021

‘We are a nation of stories and poems’: Khadar Ayderus Ahmed on The Gravedigger’s Wife

Writer-director Khadar Ayderus Ahmed discusses making his feature debut, The Gravedigger’s Wife, a love story set in Djibouti City.

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Interim pages omitted …
  • Page 20
  • Go to Next Page »

Footer

Support Seventh Row

  • Film Adventurer Membership
  • Cinephile Membership
  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions
  • Workshops & Masterclasses
  • Shop

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2025 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account