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Film Reviews

Here you will find every film review we've written. These include: festival films, new releases, and older films.

Alex Heeney / May 24, 2022

Cannes: Erige Sehiri’s Under the Fig Trees is a thoughtful day Tunisian drama

Set over the course of one day, Erige Sehiri’s narrative feature debut Under the Fig Trees (Sous les figues) is a thoughtful ensemble film about the group of workers in a Tunisian fig orchard.

Alex Heeney / May 23, 2022

Cannes Review: Céline Devaux’s Everybody Loves Jeanne is a delightful anti-rom-com

Céline Devaux’s feature debut, Everybody Loves Jeanne, is wild, hilarious, sweet, and chaotic: a delightful anti-rom-com. It screened in the Cannes sidebar Semaine de la Critique.

Alex Heeney / May 23, 2022

Cannes Review: Chie Hayakawa’s Plan 75 is a devastatingly unsentimental triumph

Chie Hayakawa’s Plan 75 is a plea for empathy amidst broken systems that leave the most vulnerable and elderly Regard sidebar at Cannes 2022.

Alex Heeney / May 3, 2022

Palm Trees and Power Lines is a harrowing debut from Jamie Dack

Jamie Dack’s Palm Trees and Power Lines finds a film language to depict sexual assault and coercion in a way that keeps us emotionally involved with our heroine, without reveling in the horrors of the abuse

Alex Heeney / April 15, 2022

Mutzenbacher and Man Caves explore men’s views on sex and love

In both Mutzenbacher and Man Caves, women directors interview a slew of men about their thoughts on sex and love.

A still from My Two Voices, in which a pair of hands with red painted nails runs a small brush through a strand of hair. Next to the still is a purple box with white text that reads, 'Quick Thoughts'.

Per Morten Mjølkeråen / March 15, 2022

Quick thoughts: The abstract recollections of My Two Voices

Lina Rodriguez’s poetic documentary My Two Voices follows the stories of three Latin American women, in their own words. My Two Voices premiered in the Forum section of the 2022 Berlinale.

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