Phyllida Lloyd discusses her Irish domestic abuse drama, Herself, and collaborating with Claire Dunne and Harriet Walter on stage and screen.
In Her Chair
Female-identifying directors reflect on their experiences making films and leading creative teams.
In Farewell Amor, Ekwa Msangi uses Angolan dance to explore family bonds
Ekwa Msangi discusses her debut feature, Farewell Amor, a triptych about an family of Angolan immigrants who reunite in New York City.
Sonia Boileau on telling a human story about MMIWG in Rustic Oracle
Mohawk writer-director Sonia Boileau discusses her new film Rustic Oracle about the human side of the Missing and Murdered Indigenous Women and Girls crisis in Canada.
‘You can’t survive colonialism and not be epic’: Loretta Todd on Monkey Beach
Writer-director Loretta Todd discusses the 20 year journey to making Monkey Beach.
‘Astronauts are so fragile’: Alice Winocour on Proxima
Proxima is one of the best acquisition titles at TIFF19. Director Alice Winocour discusses drawing a connection between motherhood and space exploration.
‘Men are so used to seeing their gaze perpetuated’: Alankrita Shrivastava on censors and patriarchy
Alankrita Shrivastava (Turning 30, Lipstick Under My Burkha) on shaking up the patriarchal film industry and the Indian censorship board.