What is the difference between being a “Sugar Baby” and a sex worker? Is it a viable way to make an income? Filmmaker Hannah Donegan explores these questions and more in Sugar Sisters, a documentary in which she and her sisters try out life as a Sugar Baby.
Canadian Cinema
Promoting and spotlighting Canadian Cinema is one of the goals of The Seventh Row. Here you'll find reviews of Canadian films and interviews with Canadian directors.
Writer-director Ashley McKenzie talks Werewolf
Cape Breton writer-director Ashley McKenzie discusses her feature debut, Werewolf, “lawnmower crackheads”, working with non-actors, and being part of the TIFF family.
Director Stephen Dunn talks Closet Monster and internalized homophobia
Editor-in-Chief Alex Heeney talked to Stephen Dunn about his directorial debut Closet Monster: why he wanted to tell this story, its magical realist elements, and how he got us inside Oscar’s head.
TIFF16 Interview: Producer from Democracy Now! talks All Governments Lie
Laura Anne Harris talks to Nermeen Shaikh, a producer of All Governments Lie: Truth, Deception and the Spirit of I. F. Stone from the independent news organization Democracy Now, about the influence of I. F. Stone on Amy Goodman and Democracy Now.
Poetry and identity in NFB animated feature Window Horses
In Window Horses, writer-director Ann Marie Fleming gets very specific about the alienation her poet Rosie has experienced as a Chinese-Iranian Canadian, and in turn, finds something more universal about displacement and the diaspora.
Haya Waseem discusses her TIFF short Shahzad set in Toronto
Pakistan-born, Toronto-based filmmaker Haya Waseem discusses her TIFF short film Shahzad, Seventh Row’s pick for the best Canadian short at the festival.