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World Cinema

Under-the-radar non-English language filmmakers talk about their artistic processes.

Alex Heeney / December 3, 2021

‘A story about finding home’: Jonas Poher Rasmussen on Flee

Flee, the multi-award-winning animated documentary, is now in US cinemas. Here’s why animation was the best way to tell this story.

Alex Heeney / September 22, 2021

Arsalan Amiri on making a realistic genre film, Zalava, in Iran

Writer-director Arsalan Amiri and co-writer Ida Panahandeh discuss their first foray into genre territory, Zalava, which won prizes at the Venice International Film Festival.

A still from The Gravedigger's Wife behind a headshot of director Khadar Ayderus Ahmed. The text on the image reads, 'TIFF interview'.

Orla Smith / September 18, 2021

‘We are a nation of stories and poems’: Khadar Ayderus Ahmed on The Gravedigger’s Wife

Writer-director Khadar Ayderus Ahmed discusses making his feature debut, The Gravedigger’s Wife, a love story set in Djibouti City.

Alex Heeney / September 12, 2021

‘The more we went inside Lise’s perspective, the better it got’: Tea Lindeburg on As in Heaven

Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark.

Alex Heeney / September 3, 2021

Joachim Trier looks back at the career-defining Oslo, August 31st

In this interview celebrating the tenth anniversary of Oslo, August 31st, director and co-writer Joachim Trier reflects back on his career-changing film.

A headshot of Oslo, August 31st production designer Jørgen Stangebye Larsen in front of a still from the film. The text on the image reads, 'Oslo, August 31st at 10', written with white text in front of a purple background.

Orla Smith / August 31, 2021

Designing a journey through Oslo

Jørgen Stangebye Larsen, Oslo, August 31st’s production designer, discusses crafting a geographically realistic portrait of the city.

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