Actress Nina Hoss discusses My Little Sister, Switzerland’s Oscar entry, and why it’s important for her performance to know how a film is going to be shot.
World Cinema
Under-the-radar non-English language filmmakers talk about their artistic processes.
‘Influencers are everywhere, yet there’s no films about them’: Magnus von Horn on Sweat
At the International Film Festival Rotterdam, we caught up with Magnus von Horn, writer-director of Sweat, who spoke about making one of the first great films about an influencer.
The Dog Who Wouldn’t Be Quiet: Ana Katz on the best film of Sundance
Ana Katz’s The Dog Who Wouldn’t Be Quiet was our favourite film of Sundance and won awards at IFFR. We spoke with Katz about collaborating with her brother over a three year shoot.
‘The idea for the sound design was accepting silence’: Iuli Gerbase on The Pink Cloud
Brazilian filmmaker Iuli Gerbase discusses her feature debut, The Pink Cloud, about a couple unable to leave their homes for years but shot before the pandemic.
‘In Mexico, reality surpasses fiction’: Fernanda Valadez and Astrid Rondero on Identifying Features
Writer-director Fernanda Valadez and writer-producer Astrid Rondero discuss how the political climate in Mexico impacted Identifying Features.
Luzzu director Alex Camilleri on why ‘Malta needed to play itself’
Writer-director Alex Camilleri discusses his feature film debut Luzzu which premiered at Sundance, telling authentic Maltese stories, and turning fishermen into actors.