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Kelly Reichardt’s latest film about the myth of the American West, First Cow, follows two men searching for a better life elsewhere that’s always just slightly out of reach.

Our very own Editor-in-Chief Alex Heeney will be introducing the Queerly Beloved screening of Sciamma’s Tomboy at the Paradise on Saturday, pulling from our recent ebook on Céline Sciamma. To celebrate, we’re giving away a pair of tickets to see the film!

Lana Condor is the shining light at the centre of disappointing sequel P.S. I Still Love You. Why is she the perfect rom-com heroine in the To All the Boys series?

Ken Loach and Mike Leigh, two long time British directors, are frequently compared to each other, despite having significantly different approaches. In this episode, Editor-in-Chief Alex Heeney is joined by Executive Editor Orla Smith and Associate Editor Brett Pardy to discuss how Loach and Leigh approach politics, character, and much more.

Rosie McCaffrey discusses why Katharine Isabelle’s performance in American Mary is one of her favourites by an actress in a horror film.

Matthew Pope’s Blood on Her Name is a steely, psychological thriller about cycles of violence. Now available in cinemas and on VOD in the US.

Kristen Stewart uses physical tics as pointedly as lines of dialogue. Her artificial, artfully rendered oddness reveals something naturalism could not.

Orla Smith discusses why Lupita Nyong’o’s performance in Us is one of her favourites by an actress in a horror film.

For Women in Horror month, Executive Editor Orla Smith speaks to four women horror critics about why they love the genre and their recent favourite horror films.

In this excerpt from her essay on Claire Foy’s career, which features in our feminist horror ebook Beyond Empowertainment, Alex Heeney discusses the many masks of Claire Foy in Unsane.

Lena Wilson discusses why Isabelle Adjani’s performance in Possession is one of her favourites by an actress in a horror film.

Documentarian Patricio Guzmán complete his trilogy contrasting the beauty of Chile’s landscapes with the horror of its recent political history by focusing on the deceptively unchanging Andes cordillera.