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A still of Ana Katz in front of a still of The Dog Who Wouldn't Be Quiet. The text on the image reads 'Interview'.

The Dog Who Wouldn’t Be Quiet: Ana Katz on the best film of Sundance

Ana Katz’s The Dog Who Wouldn’t Be Quiet was our favourite film of Sundance and won awards at IFFR. We spoke with Katz about collaborating with her brother over a three year shoot.
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Shatara Michelle Ford’s Test Pattern explores power dynamics

Shatara Michelle Ford’s Test Pattern explores power dynamics, in the lead up to and aftermath of a sexual assault, and how a couple copes.
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Ep. 80: Motherhood in Horror: The Babadook and Prevenge

February is Women in Horror month and on this episode, to celebrate, we re-visit two of our favourites, Jennifer Kent’s The Babadook and Alice Lowe’s Prevenge.
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A collage of stills from Final Girls Berlin 2021 films. The text on the image reads 'Final Girls Berlin Film Fest'.

Highlights from the Final Girls Berlin Film Festival 2021

Lindsay Pugh runs down the best of Final Girls Berlin 2021, from Your Monster to Time of Moulting to The Returned.
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A young man and woman smile at someone off camera in this still from Aristocrats. The text on the image reads, 'Review'.

IFFR Review: Aristocrats compares two women’s freedom in class-conscious Tokyo

Yukiko Sode’s Aristocrats, which world premiered at the International Film Festival of Rotterdam (IFFR), follows two Tokyo women of different social classes who are both romantically connected to the same man.
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A still from Nomadland next to an image of cinematographer Joshua James Richards holding a camera. The text on the image reads, 'Interview'.

Cinematographer Joshua James Richards on Nomadland and the ‘magic hour hustle’

British cinematographer Joshua James Richards discusses his ongoing collaboration with Chloé Zhao, and how they captured the American landscape in Nomadland.
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Recent posts

Ep. 76: Abderrahmane Sissako’s Bamako & Timbuktu

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A still from makeup next to a headshot of director Claire Oakley. The text on the image says, 'Interview'.

Claire Oakley on her genre bending coming-of-ager Make Up

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Stills of Matt Dillon and Lars Eidinger in Proxima side by side.

FYC: Matt Dillon’s and Lars Eidinger’s complex portraits of men in Proxima

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The best 2021 films we’ve already seen

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‘He was always raw’: Aldis Hodge on playing Jim Brown in One Night in Miami…

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