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A man holds a mermaid in the still from the French film A Mermaid in Paris, currently playing at the Fantasia Film Festival.

Alex Heeney / August 30, 2020

A Mermaid in Paris is a whimsical delight

A Mermaid in Paris feels like a cross between Amélie, Moulin Rouge, and Paddington — only very, very French. This is part of our coverage of the 2020 Fantasia Film Festival, which runs until September 2. Films are available to screen online in Canada for $8. What do you do when you spot an injured […]

Still from Lingua Franca featuring Isabel Sandoval and Lynn Cohen standing next to each other. The image features the text: Interview.

Milly Gribben / August 28, 2020

Lingua Franca quietly reframes a trans woman’s experience

Isabel Sandoval’s Lingua Franca patiently observes the day-to-day life of a trans, undocumented Filipina immigrant living in Trump’s America.

Seventh Row Editors / August 27, 2020

Lockdown Film School 14: A masterclass on collaboration

A collaboration masterclass with Elle-Máijá Tailfeathers, Kathleen Hepburn, Norah Sadava, and Amy Nostbakken.

Seventh Row Editors / August 25, 2020

Ep. 54: I Used to Go Here and Unexpected: Kris Rey’s thirtysomethings

In this episode of the podcast, we compare writer-director Kris Rey’s two most recent films about women in their 30s: Unexpected and I Used to Go Here

An still from the short film Exam, next to the film's director Sonia K. Hadad. The image bears the text: Interview.

Orla Smith / August 24, 2020

Exam is the year’s most horrifically tense short

Iranian writer-director Sonia K. Hadad discusses crafting her nail-biting short film Exam, starring captivating up-and-comer Sadaf Asghari.

Seventh Row Editors / August 18, 2020

Ep. 53: Boys State and First Stripes

In this episode we compare two political, but not didactic, documentaries, Jesse Moss and Amanda McBaine’s new film Boy’s State and Jean-François Caissy’s 2018 film First Stripes.

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