M. H. Murray’s directorial debut, I Don’t Know Who You Are, does for access to PEP what Never Rarely Sometimes Always did for abortion access.
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Visions du Réel Review: No Other Land
Alex Heeney reviews the documentary No Other Land, one of the highlights of the Visions du Réel Festival. (It also screened the Berlinale.)
Film Review: Ken Loach’s The Old Oak
Alex Heeney reviews Ken Loach’s The Old Oak about finding solidarity between former British miners and new Syrian refugees in a small town.
Film Review: Wicked Little Letters is predictable fun
Thea Sharrock’s Wicked Little Letters is the kind of film you can enjoy with your mum and immediately forget about afterward.
Love Lies Bleeding is a slick, cheeky thriller about lesbian codependency
Unlike the harrowingly exquisite Saint Maud, Rose Glass’s second feature film, Love Lies Bleeding, is just as likely to make you giggle as it is to make you gasp.
Interview: Ivan Sen on Limbo
Indigenous writer-director-cinematographer Ivan Sen discusses his film Limbo (2023), a detective drama set in Coober Pedy, Australia.