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Raw, We Are What We Are

Rosie McCaffrey / November 5, 2019

‘It is with love that I do this’: Cannibalism and power under patriarchy in Raw and We Are What We Are

In Raw and We Are What We Are, the cannibalism metaphor is used to explore what it is to be a woman living under patriarchy, in both the macro and the micro.

Thelma, Joachim Trier, Eili Harboe

Orla Smith / November 5, 2019

Thelma is more than just a modern Carrie

Thelma has been compared to Brian De Palma’s Carrie, but Trier gives his female lead agency whereas Carrie was simply a victim.

Alex Heeney / November 5, 2019

Personal Shopper conflates depression with technological obsession

In Personal Shopper, the boundary between Maureen and others is both because of technology and merely exacerbated by it.

Seventh Row Editors / November 2, 2019

Ep. 22: The King attempts to adapt Shakespeare’s Henry V

This is a cross-over episode with our Shakespeare podcast, 21st Folio, which dives deep into Netflix’s The King, a sort of adaptation of Shakespeare’s Henry IV Part 1 & II and Henry V.

Feminist horror book, Feminist horror, Seventh Row

Seventh Row Editors / October 29, 2019

Critics survey: What does ‘feminist horror’ mean to you?

Seventh Row asks critics what the term ‘feminist horror’ means to them, in anticipation of our ebook on the topic.

Seventh Row Editors / October 28, 2019

Ep. 21: Feminist horror

Episode 21 celebrates our new ebook, Beyond empowertainment: Feminist horror and the struggle for female agency. In addition to discussing the films featured in the book, Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Editor at Large Mary Angela Rowe talk about what feminist horror is, the strengths of the horror genre, and the book’s origins.

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