In all of her films, Joanna Hogg uses spaces to structure her characters’ relationships, often finding them trapped by their own privilege and complacency in safe spaces; the characters need to step outside their comfort spaces to grow and develop. This essay appears in the new Seventh Row ebook Tour of Memories: The Creative Process […]
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Approaching center frame in The Souvenir
In The Souvenir, Joanna Hogg demonstrates Julie’s development from a shy observer to the main character in her own story through the way Julie occupies the room and the frame. This essay is a sneak preview of the new ebook on the film, Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir. Get […]
Cinephilia takes over at Il Cinema Ritrovato
B. P. Flanagan recounts his experience attending the 2019 Il Cinema Ritrovato, the world’s premiere festival for restored and rediscovered cinema, located in Bologna, Italy.
Director Sébastian Pilote on The Fireflies Are Gone
Director Sébastian Pilote and actress Karelle Tremblay discuss their award-winning coming-of-age story, The Fireflies Are Gone (La Disparition des Lucioles). This is an excerpt from our ebook The 2019 Canadian Cinema Yearbook, which is available for purchase here.
Director Alaa Eddine Aljem on The Unknown Saint
Moroccan director Alaa Eddine Aljem discusses his first feature, The Unknown Saint, a comic and absurdist fable about the intersection of faith and commerce.
Maxime Giroux discusses The Great Darkened Days
Québécois director Maxime Giroux tells us about The Great Darkened Days, his absurdist, poetic, and often brutal fable about the corruptive power of capitalism. This is an excerpt from our ebook The 2019 Canadian Cinema Yearbook, which is available for purchase here.