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Timothée Chalamet

Orla Smith / December 18, 2018

Timothée Chalamet and the contradictions of coming-of-age

Timothée Chalamet is delivering some of modern cinema’s most compelling coming-of-age performances, dealing with the contradictions and confusion of figuring out your identity. For more on Timothée Chalamet, get our book on Luca Guadagnino’s Call Me by Your Name, which includes an analysis of his performance in the film. Get your copy here.

Anders Danielsen Lie interview

Alex Heeney / December 4, 2018

Anders Danielsen Lie: ‘When I’m performing, I don’t really know what’s going on’

Norwegian actor Anders Danielsen Lie discusses playing the ‘Hitler of Norway’ in 22 July, its connection to his medical training, and his career as a whole.

Seventh Row Editors / November 24, 2018

Ep. 5: Christian Petzold’s Transit

In the fifth episode of our film podcast, we talk about Christian Petzold’s modern-day holocaust drama Transit and how it refreshes the holocaust drama while exploring the bureaucratic trauma of being a refugee. Podcast episode 5: Christian Petzold’s Transit In the fifth episode of our film podcast, we explore why setting a holocaust drama in modern day France is […]

Crystal Swan, Darya Zhuk, Alina Nasibullina

Orla Smith / November 8, 2018

Interview: Crystal Swan‘s heroine is as unforgettable as her costumes

Writer-director Darya Zhuk discusses her feature debut Crystal Swan, and creating her charismatic, dynamic, unforgettable protagonist.

Seventh Row Editors / November 4, 2018

Ep. 4: Suspiria and Luca Guadagnino’s violent bodies

In the fourth episode of our film podcast, we talk about Luca Guadagnino’s Suspiria and find unexpected connections between its gory violence and chaos, and Guadagnino’s more gentle works A Bigger Splash and Call Me By Your Name. Episode 4: Suspiria and Luca Guadagnino’s violent bodies In the fourth episode of our film podcast, we come to grips with […]

Alex Heeney / October 27, 2018

Frederick Wiseman on Monrovia, Indiana: ‘I learned more about how to make a film by editing myself than any other way.’

In our fourth interview with Frederick Wiseman in as many years, he discusses his latest film, Monrovia, Indiana, collaborating with his longtime cinematographer, how he approaches theatre vs documentary film, and the shot he thinks ‘looked cool’.

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