This solid, entertaining, and funny production of Oscar Wilde’s An Ideal Husband at Ontario’s Stratford Festival is nevertheless inert, old-fashioned, and often tone deaf.
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Behind the Lens: The Miseducation of Cameron Post DP Ashley Connor
Placing The Miseducation of Cameron Post and Madeline’s Madeline side by side, it seems like DP Ashley Connor can do anything. Read more interviews with cinematographers in our Behind the Lens series.
Editor Jane Rizzo: ‘There’s very little story, so it is about building the moments’
Editor Jane Rizzo discusses cutting Leave No Trace, developing the father-daughter relationship, building the soundscapes for different locations, and restructuring the story in the edit. This is the sixth article in our Special Issue on Debra Granik’s Leave No Trace , which is now available as an ebook.
Establishing Shots: Zsófia Szilágyi on One Day
Hungarian director Zsófia Szilágyi discusses her impressive feature debut One Day, avoiding cliches while telling a typical story, fighting over the film’s sound design, and working with child actors.
Establishing Shots: Rebecca Addelman on her marriage drama, Paper Year
Rebecca Addelman discusses Paper Year, fictionalising her first marriage into her feature debut, which took years of rewrites, great casting, and generous collaboration.
Establishing Shots: Daniel Kokotajlo on his feature debut, Apostasy
Daniel Kokotajlo discusses the autobiographical roots and the making of his feature debut, Apostasy, set in a community of Jehovah’s Witnesses.