Ken Loach’s Palme D’Or Winner I, Daniel Blake is a bracing call-to-action against bureaucratic failures to treat citizens like people. But it falters by giving us a character who is uncontroversially the Deserving Poor without challenging this as a concept.
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HotDocs Interview: Director Kalina Bertin explores her family’s bipolar disorder in Manic
Canadian documentarian Kalina Bertin takes an unexpected journey into her family history of bipolar disorder in her HotDocs film Manic
HotDocs Interview: Director Ali Weinstein dives into a community of Mermaids
Canadian filmmaker Ali Weinstein explores how putting on a mermaid tail can help women transform into mystical powerful beings in Mermaids. For tickets and more information, visit the HotDocs website here.
HotDocs Interview: Stacey Tenenbaum on elevating the shoe shining profession in Shiners
Canadian filmmaker Stacey Tenenbaum on how shoe shiners tell a story about class difference around the world in her HotDocs film Shiners. For HotDocs tickets and more information on the film, click here.
Davies’ adaptation of The Deep Blue Sea is a memory film with an unreliable narrator
In Terence Davies’ screen adaptation of Rattigan’s The Deep Blue Sea, Davies plunges us into Hester’s memories, nudging us to accept her interpretation of events while providing the necessary evidence to doubt her perspective. This is the sixth and final feature in our Special Issue on Davies’ A Quiet Passion, which you can read in full […]
Writer-director Nacho Vigalondo on Colossal
In this interview, Colossal writer-director Nacho Vigalondo discusses developing the film’s aesthetic, its set design, and its subjective sound design.