Director Lone Scherfig discusses the making of her World War II film about filmmaking, Their Finest and what she’s learned from the actors she’s worked with.
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Interview: Director Kasper Collin on I Called Him Morgan and paying tribute to a jazz great
Director Kasper Collin on creating a duet between Lee Morgan’s trumpet and his wife Helen Morgan’s voice in his new documentary I Called Him Morgan.
All These Sleepless Nights is a mesmerizing look at youth culture in post-communist Poland
All These Sleepless Nights explores loneliness and liberation in a Poland finally free after decades of occupation and war.
Ghosts, grief, and objects left behind in Assayas’ Summer Hours and Personal Shopper
Olivier Assayas’ films Summer Hours and Personal Shopper are united by their portrayal of the recently bereaved confronting what the dead did, or did not, leave behind.
‘No desire if it’s not forbidden’: Dread, eroticism, and text messaging in Personal Shopper
By using text messaging as a source of terror that morphs into eroticism, Personal Shopper acknowledges and subverts horror traditions.
Olivier Assayas on Personal Shopper, filming text messages
Olivier Assayas discusses the visual and aural aesthetic of Personal Shopper and how he shot that impressive texting set piece. This is an excerpt of the interview which appears in our case study on Personal Shopper in the ebook Beyond Empowertainment: Feminist Horror and The Struggle for Female Agency, which is available for purchase here.