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All Articles

Certain Women, Kelly Reichardt

Alex Heeney / February 10, 2017

Breaking boundaries in Kelly Reichardt’s Certain Women

Alex Heeney talks to writer-director Kelly Reichardt about Certain Women, a story of breaching personal boundaries told through breaking cinematic ones.

Paterson, Adam Driver, Jim Jarmusch

Alex Heeney / February 9, 2017

Review: A portrait of a poet in Paterson

In Paterson, Adam Driver lives an idealized version of life as a bus driving poet where everything is calm and serene.

Marjorie Prime, Michael Almereyda

Alex Heeney / February 3, 2017

Review: Marjorie Prime is a failed stage-to-screen adaptation

Michael Almereyda’s screen adaptation of the play Marjorie Prime never sheds its theatrical origins and fails to find new insights as a film.

Manifesto, Julian Rosefeldt, Cate Blanchett

Alex Heeney / February 1, 2017

Review: Julian Rosefeldt’s Manifesto is witty and thought-provoking

Cate Blanchett x13 stars in Julian Rosefeldt’s Manifesto, a hilarious deconstruction of art manifestos and a call for original thought.

Maren Ade, Toni Erdmann

Alex Heeney / January 27, 2017

Writer-director Maren Ade talks Toni Erdmann and crafting performances

Writer-director Maren Ade discusses Toni Erdmann, rehearsing with actors to craft realistic performances, and handling dual protagonists.

Laura Anne Harris / January 27, 2017

Québécois filmmaker Sophie Goyette talks Mes Nuits Feront Écho

Québécois writer-director Sophie Goyette discusses her feature debut, Mes Nuits Feront Écho (Still Night Still Light), about three people connected by their dreams, which has its international premiere at the Rotterdam Film Festival.

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