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Manchester by the Sea, Kenneth Lonergan

Alex Heeney / November 27, 2016

Manchester by the Sea embraces conventional stereotypes

Despite its obvious Oscar-bait trappings, Kenneth Lonergan’s Manchester by the Sea is plagued by outdated ideas about masculinity and weak supporting characters.

Little Sister, Zach Clark

Mary Angela Rowe / November 18, 2016

Review: Little Sister invites us into the family

Zach Clark’s Little Sister offers a new twist on the Quirky Family Dramedy in which the quirks aren’t mere personality tics, but signs of genuine trauma.

Porto, Gabe Klinger

Elena Lazic / November 17, 2016

Taking stock: a closer look at Gabe Klinger’s Porto

Gabe Klinger’s Porto is a prime example of a seemingly romantic film that is insidiously misogynistic which uses multiple film stocks as an aesthetic gimmick. The film premiered at the London Film Festival.

Fien Troch, Home, AFI Fest 2016, Must-See AFI

Alex Heeney / November 11, 2016

7 must-see films at the 2016 AFI Fest

Avoid the crowds at La La Land and catch up with some of the best of contemporary world cinema at AFI Fest. Here’s a look at seven must-see films at the 2016 AFI Fest with links to our reviews and/or interviews with the directors from previous festivals. 2016 AFI Fest Galas 1. Elle https://seventh-row.com/2016/09/03/verhoeven-huppert-elle/ World Cinema […]

Aquarius

Jesse Thompson / November 4, 2016

Age in Place: Kleber Mendonça Filho’s Aquarius

Jesse Thompson explores sound, place, and gentrification in Aquarius and its parallels to the realities of real estate in Sydney, Australia.

Eagle Huntress, Otto Bell, Aishlolpan

Dan Schindel / November 3, 2016

‘Girls can do anything boys can do’: making The Eagle Huntress

Director Otto Bell, Aisholpan, the eponymous Eagle Huntress, and her father discuss the making of The Eagle Huntress and what makes Aisholpan so impressive.

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