Employing key but subtle twists on the convention talking head documentary, Ava DuVernay’s 13th explains how slavery in the U.S. was never really abolished without ever resorting to preaching.
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Andrew Neel’s Goat lacks psychological insight
Andrew Neel’s Goat is an excellent showcase for up-and-coming star Ben Schnetzer, whose strong performance hints at the better film it could have been had Neel been less focussed on brutality and more focussed on psychological insight.
From stage to screen: Director Rosemary Myers on her new film Girl Asleep
Gillie Collins talked to director Rosemary Myers about adapting her Windmill theatre play Girl Asleep for the film. Collins also explores the many exaggerated, theatrical elements that define the film.
Una is a psychologically complex screen adaptation of Blackbird
Renowned theatre director Benedict Andrews makes a remarkable feature debut with Una, a screen adaptation of David Harrower’s award-winning play Blackbird. Get our two-part interview with Benedict Andrews. Listen to our podcast on films depicting childhood sexual assault, including Una and Slalom.
Writer-director Ashley McKenzie talks Werewolf
Cape Breton writer-director Ashley McKenzie discusses her feature debut, Werewolf, “lawnmower crackheads”, working with non-actors, and being part of the TIFF family.
Best of TIFF16: Fien Troch’s Home
In Home, teachers and authority figures don’t skip a beat before upbraiding the teenagers in their charge, but writer-director Fien Troch asks us to empathize first and judge second.