Jesse Thompson explores sound, place, and gentrification in Aquarius and its parallels to the realities of real estate in Sydney, Australia.
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‘Girls can do anything boys can do’: making The Eagle Huntress
Director Otto Bell, Aisholpan, the eponymous Eagle Huntress, and her father discuss the making of The Eagle Huntress and what makes Aisholpan so impressive.
Two opposing sensibilities: Gianfranco Rosi and Frederick Wiseman
Every documentarian has a unique approach to filmmaking, but you might not expect that Frederick Wiseman and Gianfranco Rosi often have polar opposite approaches to making their films. Based on two interviews with each documentarian, we break down their many points of difference, and a few similarities, in their approaches.
Is the Sugar lifestyle worth trying? Director Hannah Donegan on her CBC doc Sugar Sisters
What is the difference between being a “Sugar Baby” and a sex worker? Is it a viable way to make an income? Filmmaker Hannah Donegan explores these questions and more in Sugar Sisters, a documentary in which she and her sisters try out life as a Sugar Baby.
How do you edit a documentary? Gianfranco Rosi on Fire at Sea
In our second behind-the-scenes look at the film, Gianfranco Rosi talks editing Fire at Sea: how he narrows down his documentary footage and shapes it into a narrative in the editing room.
Gianfranco Rosi on his Berlinale winner Fire at Sea
Gianfranco Rosi discusses the making of Fire at Sea (Fuocoammare): finding his protagonist, developing the film’s aesthetic, creating the sound mix, and discovering the film’s title.