In Window Horses, writer-director Ann Marie Fleming gets very specific about the alienation her poet Rosie has experienced as a Chinese-Iranian Canadian, and in turn, finds something more universal about displacement and the diaspora.
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Haya Waseem discusses her TIFF short Shahzad set in Toronto
Pakistan-born, Toronto-based filmmaker Haya Waseem discusses her TIFF short film Shahzad, Seventh Row’s pick for the best Canadian short at the festival.
TIFF16: Miss Impossible is a crowd-pleasing coming-of-ager
Miss Impossible (Jamais Contente) is like if We Are The Best! were just about the spunky, outspoken Klara and she joined a band in which she was the only girl.
TIFF16: Sieranevada traps you at a family gathering for 3 hours
With a running time of almost three hours, Cristi Puiu’s Sieranevada unfolds almost entirely in real time as Lary endures a final ceremony for his recently deceased father at his mother’s apartment.
Writer-Director Jenni Olson on her film essay, The Royal Road
Jenni Olson on her 16mm film essay, The Royal Road, a story of unrequited love told through the linear progression of California’s El Camino road.
TIFF16: Blind Sun is a visually and aurally accomplished thriller
Psychological thriller Blind Sun from Joyce Nashawati transports us to a water-scarce dystopian future almost entirely through its color scheme, sound scape, and central performance.