Maggie’s Plan writer-director Rebecca Miller discusses creating a modern take on A Midsummer Night’s Dream, finding a frothy tone, fitting her script to the actors, the importance of two-shots, and the art of costume and production design.
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Cannes Review: American Honey discards real emotions for pointless objectification
Though American Honey took home the Jury Prize at the Cannes Film Festival, our Cannes correspondent Elena Lazic found it cliched and problematic — a disappointment from the very talented Arnold.
Israeli auteur Tali Shalom-Ezer discusses Princess
Princess is a sensitive, intimate film about 12-year-old Adar whose curiosity about sex gets confused when she receives sexual attention from her still loving step-father. Purchase the film on iTunes or watch it on Vimeo OnDemand.
Desire is a dangerous dance in A Bigger Splash
In this review of A Bigger Splash, we explore Luca Guadagnino’s erotic joyride, which is about the breaking point: what we think we want, and what happens when we get it — or don’t.
Writer-director Yorgos Lanthimos and actress Ariane Labed talk The Lobster
Yorgos Lanthimos discusses his approach to shooting The Lobster, designing the sound, and blocking the action. Actress Ariane Labed explains how she prepared for the part and how training as a dancer influenced her performance. We named Rachel Weisz’s performance in the film one of the best of 2016.
Whit Stillman on cruelty and wit in Love & Friendship
Although Love & Friendship benefits from Austen’s sharp satire and clever observations, this is still very much a Stillman film, reveling in the humour of what he calls, “upper class twits.” Stillman discusses setting the tone, the importance of words, and the music in the film.