The Coen Brothers’ Hail, Caesar is a glorious, hilarious tribute to the Golden Age of Hollywood. With its very own Esther Williams (Scarlett Johansson), Carmen Miranda (Veronica Osorio), and Gene Kelly (Channing Tatum), it’s got all the stock characters and genres of classic cinema. Even Roger Deakins’ 35mm cinematography mimics old movies, framing the action head-on as if filming a stage.
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Rams: Sheep farming is deadly serious business
Grimur Hakonarson’s Rams is part dark comedy, part family drama about two elderly brothers who haven’t spoken in years. The gorgeous Icelandic landscape provides the backdrop to this story about sheep farming and family reconciliation.
Why you’ve never heard of the Sloan Prize
I’d like to think of the Sundance Film Festival’s Alfred P. Sloan Prize as a beacon of hope for science in film. But it’s an award that no one is promoting, bestowed for reasons no one can divine, based on a process that no one will talk about
Anna Rose Holmer on her Sundance hit The Fits
Holmer discusses how working with the New York City ballet influenced her film, how she used sound and editing to tell the story, and the shooting rules she set for herself.
Penny Lane on NUTS!: a gullible audience
Penny Lane talked to us about the importance of pacing in the film, why they used animated re-enactments, and how to think about documentary film.
Elite Zexer on Jury Prize Winner Sand Storm
Zexer and lead actress Ammar talk about preparing for the film, how Zexer prioritized performance when shooting the film, and the knockout ending.