“Photograph 51” suggests that sexism kept Franklin conservative, reluctant to be right because as a woman, she could never, ever be wrong. Ziegler’s text depicts a woman who had all the evidence but didn’t put the pieces together because she was afraid to prematurely commit herself.
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Experimenter‘s experiments don’t succeed
Michael Almereyda’s Experimenter pulls from theatrical conventions — creating two-dimensional backdrops and breaking the fourth wall — to depict a landmark psychological experiment: In the 1960s, Stanley Milgram (Peter Sarsgaard) conducted experiments on obedience in an effort to understand the obedience and conformity of the Nazis in the Holocaust.
San Jose Stage’s RFK brings Bobby Kennedy to life
San Jose Stage’s RFK, a one-man play about Robert Kennedy (David Arrow), combines a captivating lead performance with evocative projections to elevate a historically rich but dramatically flat script.
Schneider vs. Bax is a masterful black comedy
In Schneider vs. Bax, the tension is always high, but there’s less of van Warmerdam’s characteristic black humour.
Barbet Schroeder’s Amnesia reckons with Germany’s holocaust guilt
Barbet Schroeder’s Amnesia is the latest in a series of recent films about whether Germany has reckoned with its past from World War II. Set in the early 1990s at another pivotal point in German history, the film looks back into the past through its protagonist Martha (Marthe Keller) and her interactions with other Germans. Rather […]
My Internship in Canada is a smart farce
We review Philippe Falardeau’s hilarious political satire My Internship in Canada, which was selected as one of Canada’s Top Ten Films of 2015. Read our interview with director Falardeau here.