Roy Andersson’s final installment in his trilogy about being a human being (You, The Living and Songs from the Second Floor), A Pigeon Sat on a Branch Reflecting on Existence, begins with a comedic bang of twisted humour: a series of three vignettes that detail “meetings with death.” In my favourite one, we find two […]
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Review: Love & Mercy reveals the real Brian Wilson
Photo credit: Francois Duhamel Early on in Love & Mercy, the middle-aged Brian Wilson of the 1980s phones up a car saleswoman he’s just met, Melinda (a luminous Elizabeth Banks), and says, “Hi, it’s Brian Wilson from The Beach Boys.” It’s a fact he was coy about acknowledging when they first met, but it works […]
Bujalski whips the rom-com into new shape with Results
Results, Andrew Bujalski has reinvented and rejuvenated the romantic comedy, dispensing with the formulaic boy meets girl, boys loses girl, boy gets girl back trajectory. Beginning in the middle of the love story, the opening credits play over a moving, striped sheet that fills the screen while moans can be heard in the background. Bujalski […]
Cannes Director’s Fortnight reviews
Arabian Nights, L’Ombre des Femmes, and Trois Souvenirs de Ma Jeunesse The Director’s Fortnight and its relationship to the Cannes Film Festival can be a perplexing one. It’s generally considered to be part of the festival — often a stepping stone to admission into the Official Selection — although it’s technically a separate, simultaneous film […]
Mon Roi: an abusive relationship won’t end
The title of Maïwenn’s messy but compelling Mon Roi, is indicative of the film’s primary problem. When divorcee and criminal lawyer Tony (Emmanuel Bercot) asks her new beau, Georgio (Vincent Cassell), if he’s a jerk, he flirtatiously replies that he’s “The King of Jerks,” and as the film’s title indicates with affection, he becomes her king (of jerks).
Cannes 2015 Review: Iranian film Nahid is a complex portrait of a woman trapped by the patriarchy
Panahandeh crafts a complex portrait of a thirty-year-old woman who became a mother too young and doesn’t quite know how to deal with it. She wants her son to have every opportunity, but her solution is to send him to an expensive private school, which she can’t afford