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Seventh Row Editors / February 1, 2023

Sundance 2023 Ep. 5: Sometimes I Think About Dying, Fremont, Eileen, Fairyland, and more films

In the fifth episode of the Sundance 2023 podcast season, we discuss some of this year’s buzziest titles, including William Oldroyd’s film Eileen, Andrew Durham’s film Fairyland, and some hidden gems like Babak Jalali’s film Fremont and Rachel Lambert’s film Sometimes I Think About Dying.

Seventh Row Editors / January 27, 2023

Sundance 2023 Ep.4: Indigenous Films, from Bad Press to Twice Colonized

We delve into the Indigenous Film programming at Sundance 2023, including Twice Colonized, Bad Press, Murder in Big Horn, and Fancy Dance.

Seventh Row Editors / January 25, 2023

Sundance 2023 Ep.3: Slow, Fancy Dance, Scrapper, A Still Small Voice, and other early highlights

In the third episode of the Sundance 2023 podcast season, we discuss highlights of the festival so far, including the films Slow, Fancy Dance, Scrapper, A Still Small Voice, and half of the World Dramatic Competition

Seventh Row Editors / January 21, 2023

Sundance 2023 Ep.2: The Spotlight Program and Eight Mountains

We discuss Sundance’s Spotlight Program and its history as the only feature film program at the festival dedicated to films that premiered at other festivals. We also discuss this year’s selections, including The Eight Mountains, L’Immensità, and Joyland.

Seventh Row Editors / January 19, 2023

Sundance 2023 E1: What to watch at the festival

In this episode, we preview the Sundance 2023 Film Festival and discuss the films we’re most excited for at the festival and why. We also give some context about the kinds of films we’ve discovered (and been disappointed by) at past film festivals, and discuss Sundance alum returning to this year’s festival.

Seventh Row Editors / January 11, 2023

E132: Sarah Polley’s Women Talking

n this episode of the podcast, we discuss Sarah Polley’s new Oscar hopeful film: her screen adaptation of the Miriam Toewes’s novel Women Talking. We talk about how the film works (or doesn’t) as an adaptation, its lack of specificity in depicting a mennonite community, and the many problems that plague the film.

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