The first animated feature out of Portugal, Nuno Beato’s My Grandfather’s Demons, uses digital and stop-motion animation to tell a story of intergenerational trauma on the border between reality and fairytale.
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Both Sides of the Blade: Claire Denis explores lies and love
Claire Denis’s Silver Bear Winner Both Sides of the Blade explores the lies we tell the people we love (and ourselves).
Quick Thoughts: Violeta Salama’s sensitive Alegría at the Toronto Jewish Film Festival.
Violeta Salama’s warm and sensitive feature debut, Alegría, is exactly the kind of film you look for at a Jewish Film Festival: a travelogue and a story of culture, religion, and family.
Cannes Film Review: Manuela Martelli’s 1976 ratchets up the tension
Manuela Martelli’s feature debut, 1976, which she co-wrote with Alejandra Moffat, is equal parts character study and taut political drama. The film 1976 screened in the Director’s Fortnight sidebar at Cannes 2022.
Women at Cannes Ep. 5: Women at Cannes 2022
On the podcast, we look back at the 2022 Cannes Film Festival: both its many institutional failings and great films by women that we watched.
Cannes Review: Naomi Kawase’s Official Film of the Olympic Games Tokyo 2020 Side A
Naomi Kawase’s Official Film of the Olympic Games Tokyo 2020 Side A avoids the usual tropes and cliches of sports films, focusing instead on how the athletes are rounded people, as well as the beauty fleetingness of athletic achievement