Mélanie Laurent’s The Mad Women’s Ball suffers in comparison to Alice Winocour’s Augustine (2011), which tackles the same story with more psychological complexity.
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Benediction thoughtfully depicts a community of gay men
Benediction may be Terence Davies’s gayest film yet: a character study of a WWI poet who keeps trying to reinvent himself and find solace.
‘The more we went inside Lise’s perspective, the better it got’: Tea Lindeburg on As in Heaven
Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark.
TIFF Review: Learn to Swim is treading water
Thyrone Tommy’s feature debut is all vibe with little substance but it nails the milieu of twentysomething jazz musicians in Canada.
Oscar Peterson: Black + White does a disservice to its subject
Barry Avrich’s documentary Oscar Peterson: Black + White barely scratches the surface of the great jazz pianist’s life, music, and legacy.
TIFF Review: Scarborough is one of the festival’s most stirring crowdpleasers
Scarborough, from directors Rich Williamson and Shasha Nakhai, is a big-hearted portrait of families in a low-income neighbourhood.