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A headshot of screenwriter and author Jon Raymond, in front of a still from a film he wrote, Meek's Cutoff. The text on the image reads, 'Interview'.

Orla Smith / May 27, 2021

Jon Raymond on his collaboration and friendship with Kelly Reichardt

To celebrate tomorrow’s UK release of First Cow, this profile of screenwriter and author Jon Raymond delves into his decades-long collaboration with Kelly Reichardt.

Seventh Row Editors / May 26, 2021

Ep. 93: The films of Agnieszka Holland

On this podcast episode, we celebrate the work of great Polish filmmaker Agnieszka Holland (Europa Europa, Washington Square, Charlatan).

Alex Heeney / May 24, 2021

200 meters gives an inside look at life in the West Bank

Jordan’s Oscar submission for Best International Feature is a slice-of-life story of a family divided by the wall between Israel and Palestine.

Alex Heeney / May 22, 2021

In Luke Holland’s Final Account, Holocaust perpetrators reflect on their actions

Luke Holland’s Final Account introduces us to the last living generation of Hitler’s Third Reich to explore how they feel about their actions.

Seventh Row Editors / May 19, 2021

Ep. 92: Sugar Daddy and An Easy Girl: Commodifying women

In this episode, we discuss two recent films directed by women about how women commodify themselves and are commodified by society and the people around them: Wendy Morgan’s Sugar Daddy and Rebecca Zlotowski’s Easy Girl. We ask how these films comment on patriarchal norms without (or if they manage to do so) reproducing them.

Alex Heeney / May 19, 2021

Ida Panahandeh’s Titi is a character study about life under patriarchy

Ida Panahandeh’s Titi is a character study about an Iranian Roma woman caught between two unworthy men in a society controlled by men.

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