Swedish director Amanda Adolfsson discusses Nelly Rapp: Monster Agent, working with child actors, and balancing horror and comedy.
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Review: Maxine Peake shines in Fanny Lye Deliver’d (The Delivered)
Maxine Peake leads Thomas Clay’s refreshing genre film, Fanny Lye Deliver’d (The Delivered in the US), about a woman’s emancipation.
How Jasna Đuričić crafted her ferocious performance in Quo Vadis, Aida?
Jasna Đuričić discusses the elaborate rehearsal process that got her into character for Quo Vadis, Aida?.
Found footage gets a showcase at the Unnamed Footage Film Festival
This year’s Unnamed Footage Film Festival was a 24-hour livestream that illuminated the best and worst traits of the found footage genre.
Ep. 85: The films of Naomi Kawase, featuring True Mothers
Naomi Kawase is one of the most prolific women directors in international cinema. In this episode, we look at her latest film True Mothers, re-visit the divisive Still the Water, and discuss other highlights from her filmography.
Riz Ahmed’s tour de force performance in Sound of Metal
Riz Ahmed’s Oscar-nominated performance in Sound of Metal, as a heavy metal drummer going deaf, is a tour de force.