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Alex Heeney / April 6, 2021

Amanda Adolfsson on her family horror film Nelly Rapp: Monster Agent

Swedish director Amanda Adolfsson discusses Nelly Rapp: Monster Agent, working with child actors, and balancing horror and comedy.

Alex Heeney / April 6, 2021

Review: Maxine Peake shines in Fanny Lye Deliver’d (The Delivered)

Maxine Peake leads Thomas Clay’s refreshing genre film, Fanny Lye Deliver’d (The Delivered in the US), about a woman’s emancipation.

A still from Quo Vadis, Aida? behind a headshot of star Jasna Đuričić. The text on the image reads, 'Interview'.

Orla Smith / April 5, 2021

How Jasna Đuričić crafted her ferocious performance in Quo Vadis, Aida?

Jasna Đuričić discusses the elaborate rehearsal process that got her into character for Quo Vadis, Aida?.

A collage of various films that played at the Unnamed Footage Film Festival, with the festival's logo plastered over them.

Orla Smith / April 3, 2021

Found footage gets a showcase at the Unnamed Footage Film Festival

This year’s Unnamed Footage Film Festival was a 24-hour livestream that illuminated the best and worst traits of the found footage genre.

Seventh Row Editors / March 31, 2021

Ep. 85: The films of Naomi Kawase, featuring True Mothers

Naomi Kawase is one of the most prolific women directors in international cinema. In this episode, we look at her latest film True Mothers, re-visit the divisive Still the Water, and discuss other highlights from her filmography.

Riz Ahmed sits at a drum kit in Sound of Metal.

Alex Heeney / March 31, 2021

Riz Ahmed’s tour de force performance in Sound of Metal

Riz Ahmed’s Oscar-nominated performance in Sound of Metal, as a heavy metal drummer going deaf, is a tour de force.

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