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Alex Heeney / March 9, 2021

‘In the Innu language, every word is an image’: Kim O’Bomsawin on Call Me Human

Abenaki filmmaker Kim O’Bomsawin discusses her documentary Call Me Human (Je m’appelle humain) and telling the story of Joséphine Bacon and her friends.

Seventh Row Editors / March 9, 2021

Ep. 82: Quo Vadis, Aida and Our Lady of the Nile: Genocide on film

Jasmila Žbanic’s Quo Vadis, Aida is one of the best films of the year. On this episode, we discuss it in context of Atiq Rahimi’s Our Lady of the Nile, another film approaching the theme of genocide with tremendous empathy towards the human cost rather than being a spectacle of suffering.

Alex Heeney / March 8, 2021

Berlinale Review: A girl wakes up to misogyny inSummer Blur

Han Shuai’s feature debut, Summer Blur, follows thirteeen-year-old Guo in a hot summer in Wuhan where everyone seems to be exploiting women.

A still from Wheel of Fortune and Fantasy behind a headshot of director Ryusuke Hamaguchi. The text on the images reads, 'Interview'.

Orla Smith / March 8, 2021

Wheel of Fortune and Fantasy Interview: Ryûsuke Hamaguchi on directing actors

Writer-director Ryûsuke Hamaguchi discusses Berlinale Silver Bear winner Wheel of Fortune and Fantasy, and how his unconventional rehearsal methods get uncommonly natural performances.

Alex Heeney / March 7, 2021

What to see at the 2021 Rendez-vous with French Cinema

The 2021 Rendez-vous with French Cinema features some of the best films of the year, as well as highlights like Should the Wind Drop, Mandibles, and Faithful.

Four teenage girls wearing white t-shirts sit down at a restaurant table, eating, in Short Vacation.

Orla Smith / March 6, 2021

Berlinale Review: Teen girls seek the end of the world in Short Vacation

In Kwon Min-pyo and Seo Hansol’s Short Vacation, four thirteen-year-old girls set out to complete their summer photography assignment: photograph the end of the world.

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