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A collection of stills of the most exciting emerging actors at Sundance 2020, with the Sundance logo in the centre.

Seventh Row Editors / January 28, 2021

Ten emerging actors to watch at Sundance 2021

Our editors pick the ten most exciting emerging actors at Sundance 2021, from Niamh Algar to Anna Cobb.

A collage of stills from the films featured in this article.

Seventh Row Editors / January 28, 2021

A look back at the best scenes of 2020

Seventh Row’s editors reminisce about six of the best scenes of 2020 and explain why they stuck with us throughout the year.

A still of a crowd scene in Quo Vadis, Aida?, behind a headshot of director Jasmila Žbanić. The text on the image reads, 'Interview'.

Orla Smith / January 27, 2021

‘She is like many women I know who were lionesses’: Jasmila Žbanić on Quo Vadis, Aida?

Writer-director Jasmila Žbanić discusses her blistering film about the Bosnian genocide, Quo Vaids, Aida?, which is Bosnia and Herzegovina’s entry for the Best International Feature Oscar.

A collage of stills from three films: Proxima, Residue, and Another Round.

Seventh Row Editors / January 26, 2021

The best sound design of 2020 goes far beyond Sound of Metal

Our writers pick the best sound design of 2020 and write about why its so key to the film’s success.

A closeup of Shabab Hosseini in The Night, looking horrified. The still features text which reads, 'Review'.

B. P. Flanagan / January 26, 2021

The Night Review: A low-budget chiller starring Shahab Hosseini

Kourosh Ahari’s The Night, a rare American-Iranian co-production, is a disappointedly cliched horror offering.

Seventh Row Editors / January 26, 2021

Ep. 76: Abderrahmane Sissako’s Bamako and Timbuktu

On this episode we look at two of Malian director Abderrahmane Sissako’s films, the newly restored Bamako, and one of our favourite films of the 2010s, Timbuktu. We also discuss locating African cinema and challenges in distribution and preservation.

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