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A still of a crowd scene in Quo Vadis, Aida?, behind a headshot of director Jasmila Žbanić. The text on the image reads, 'Interview'.

Orla Smith / January 27, 2021

‘She is like many women I know who were lionesses’: Jasmila Žbanić on Quo Vadis, Aida?

Writer-director Jasmila Žbanić discusses her blistering film about the Bosnian genocide, Quo Vaids, Aida?, which is Bosnia and Herzegovina’s entry for the Best International Feature Oscar.

A collage of stills from three films: Proxima, Residue, and Another Round.

Seventh Row Editors / January 26, 2021

The best sound design of 2020 goes far beyond Sound of Metal

Our writers pick the best sound design of 2020 and write about why its so key to the film’s success.

A closeup of Shabab Hosseini in The Night, looking horrified. The still features text which reads, 'Review'.

B. P. Flanagan / January 26, 2021

The Night Review: A low-budget chiller starring Shahab Hosseini

Kourosh Ahari’s The Night, a rare American-Iranian co-production, is a disappointedly cliched horror offering.

Seventh Row Editors / January 26, 2021

Ep. 76: Abderrahmane Sissako’s Bamako and Timbuktu

On this episode we look at two of Malian director Abderrahmane Sissako’s films, the newly restored Bamako, and one of our favourite films of the 2010s, Timbuktu. We also discuss locating African cinema and challenges in distribution and preservation.

A collage of images of films featured in the article, with the text '2021' written on the image.

Seventh Row Editors / January 25, 2021

The thirty films we’re most looking forward to in 2021

Our editors pick their thirty most anticipated films of 2021, from Respect to Mothering Sunday to Benediction.

A still from makeup next to a headshot of director Claire Oakley. The text on the image says, 'Interview'.

Orla Smith / January 24, 2021

Claire Oakley on her genre bending coming-of-ager Make Up

First time filmmaker Claire Oakley discusses the dream that inspired her stylised, genre bending coming-of-age film, Make Up.

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