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A headshot of Phyllida Lloyd in front of a still from Herself. The text on the image reads, 'Interview'.

Alex Heeney / January 15, 2021

Phyllida Lloyd on her journey from all-female Shakespeare to Irish indie Herself

Phyllida Lloyd discusses her Irish domestic abuse drama, Herself, and collaborating with Claire Dunne and Harriet Walter on stage and screen.

A still of Kingsley Ben-Adir in One Night in Miami in front of a still from the film, with the text 'Interview' over the image.

Orla Smith / January 14, 2021

‘The vulnerability of these men was the centre of the piece’: Kingsley Ben-Adir on One Night in Miami

Kingsley Ben-Adir on the challenge of playing Malcolm X in One Night in Miami as a man with vulnerabilities that the public rarely saw.

Three stills from films featured in our best cinematography of 2020 list.

Seventh Row Editors / January 13, 2021

Seventh Row writers on their favourite cinematography of 2020

Alex Heeney, Orla Smith, and Lindsay Pugh write about the best cinematography of 2020 and why they love it.

Seventh Row Editors / January 12, 2021

Ep. 74: Best of 2020

Seventh Row editors Alex Heeney and Orla Smith discuss the best films of 2020, with help from some special guests.

A multicolored collection of neon stills from films, including Spinster, The Perfect Candidate, Amanda, and First Cow.

Seventh Row Editors / January 12, 2021

Seventh Row picks the 30 best films of 2020

Seventh Row editors Alex Heeney and Orla Smith pick the 30 best films of 2020, from First Cow to My Prince Edward.

Stills from Spinster, No Crying at the Dinner Table, First Stripes, Nadia Butterfly, and Monkey Beach,in front of a swirling red background.

Seventh Row Editors / January 11, 2021

The best Canadian films of 2020

Seventh Row’s editors pick the 10 best Canadian films released in 2020 and the 10 best Canadian world premieres.

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