Cannes Review: Céline Devaux’s Everybody Loves Jeanne is a delightful anti-rom-comBy Alex HeeneyCannes Review: Chie Hayakawa’s Plan 75 is a devastatingly unsentimental triumphBy Alex HeeneyWomen at Cannes Ep. 2: Kelly Reichardt at Cannes 2022By Seventh Row EditorsWomen at Cannes Ep. 1: A podcast on the history of women directors at CannesBy Seventh Row EditorsNavalny film: Investigating your own murder on film is bizarreBy Alex HeeneyShowing Up: What we know so far about Kelly Reichardt’s new filmBy Orla Smith Posts navigation 1 2 3 4 … 213 TweetShareShare0 Shares
