…death count increases, the bodies pile up on stage: something is rotting in the state of England. Stripped of his power, his home, his daughters’ love, and his sanity, Lear…
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TIFF16 Interview: Producer from Democracy Now! talks All Governments Lie
…we’ve been told politicians lie. Why isn’t there more transparency? NS: At this point, institutions, if we just speak of the American State, are very strong. If you look at…
Director Kleber Mendonça Filho on the sounds of Aquarius
…the building, she gets increasingly stubborn about standing her ground. As this real estate battle plays out, we also get a glimpse into Clara’s day-to-day life, her relationship with her…
Review: Blood on Her Name thrillingly grapples with cycles of violence
…when she finds herself stuck between these two distressing options. Like a deer in headlights, she’s startled and unsure where to turn, stuck in a state of perpetual indecision. Her…
Feminist Horror Special Issue: pitch us!
…that mission statement. Although several of the films we have written about in the past few years contain genre elements and play with horror tropes — Joachim Trier’s Thelma and…
Interview: Lesley Manville on Ordinary Love
…body crumples in on itself, and to hear her moans of pain. But the real feat of her performance is how she provides subtle cues to Joan’s mental state: her…