Writer-director Andrew Haigh (Weekend, 45 Years, Looking) on his meticulous blocking and how he used it to express the journey of a boy searching for home in Lean on Pete….
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Coming soon: A closer look at On Chesil Beach
…year. And we continue Seventh Row’s technical coverage in in-depth interviews with each department head, including DP Sean Bobbitt (12 Years a Slave, Shame), editor Nick Fenton, costume designer Keith…
Nick Fenton on film editing: ‘You are that first audience’
…in terms of time-posting what period we are in. 7R: On Chesil Beach opens with these traditional, picturesque shots of landscape. Then, more modern blues music kicks in. You’re immediately…
Sean Bobbitt: ‘You have that big screen. You must use it.’
…Howle and Saoirse Ronan in On Chesil Beach, with cinematography by Sean Bobbitt The classical, widescreen tableaus in On Chesil Beach are a speciality of cinematographer Sean Bobbitt. Most famous…
Brett Haley: ‘Music and creativity bring people together’
…blues to complement the Vancouver setting. Toronto-set rom-com The F Word is populated with bright reds and blues, ensuring this is very much a world you want to live in….
Behind the Lens: Michael McDonough on Leave No Trace
…outsiders. Granik’s interest in them, however, isn’t based in a morbid, superior or patronising fascination, but in a deep desire to understand. Such profound empathy feels so natural within her…