Québécois filmmaker Anne Émond talks about depicting suicide, family intimacy, and her hometown in her moving new film.
Canadian cinema
My Internship in Canada is a smart farce
We review Philippe Falardeau’s hilarious political satire My Internship in Canada, which was selected as one of Canada’s Top Ten Films of 2015. Read our interview with director Falardeau here.
88:88 is a formal and ideological marvel **** 1/2
88:88, an emphatic statement on poverty, debuts an exciting, radical new voice in cinema: Winnipeg-based Isiah Medina. The numbers ‘88:88’ flash across alarm clocks when electricity goes out: The accurate time is replaced by these place holders and time essentially stands still. The central philosophical meaning of 88:88 in the film is one of stasis, and how that stasis caused by poverty subjects people to a minimized life.
TIFF15: Our Loved Ones depicts cycles of family grief
Our Loved Ones wrestles with the path to adulthood, memory, and family obligation.
TIFF15: The Rainbow Kid respectfully depicts disability
The Rainbow Kid addresses both the ways in which disability can be a limitation and a difficulty without presenting it as utterly debilitating.
TIFF15 review: NFB history doc Ninth Floor sheds light on our racial biases
Mina Shum’s taut and accomplished documentary The Ninth Floor is an extremely important film about racial discrimination in Canada. Not only does it retell a crucial part of Canadian history that never made it into the history books I studied in school, but the incident it depicts has continued relevance today. The title refers to the […]