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Canadian cinema

Three stills from films featured in our best cinematography of 2020 list.

Seventh Row Editors / January 13, 2021

Seventh Row writers on their favourite cinematography of 2020

Alex Heeney, Orla Smith, and Lindsay Pugh write about the best cinematography of 2020 and why they love it.

A headshot of director Brandon Cronenberg in front of a still from his film, Possessor. The text on the image reads 'Interview'.

Lena Wilson / December 24, 2020

Brandon Cronenberg on process, penises, and Possessor

Brandon Cronenberg discusses his fucked up horror film Possessor and its many unintentional penetration metaphors.

Alex Heeney / December 9, 2020

Sophie Dupuis explores masculinity in a Quebec mine in Souterrain

Sophie Dupuis’s second film, Souterrain, is a thoughtful exploration of the emotional lives of men working in a Quebec mine.

Alex Heeney / November 9, 2020

The 2020 Festival du Nouveau Cinema showcases the old and the new of world cinema

The 2020 Festival du Nouveau Cinema showcased classics, like Les Ordres, and the latest in world cinema, from Undine to Caught in the Net.

Seventh Row Editors / October 20, 2020

Ep. 62: Indigenous YA, part 1

On this episode we begin our two part discussion of contemporary Indigenous young adult films (and television). We focus on three of the newest entries in the genre, Beans, Trickster, and Monkey Beach.

Alex Heeney / October 16, 2020

Cheryl Foggo reclaims Black Canadian history in John Ware Reclaimed

Director Cheryl Foggo on how telling the real story of John Ware in John Ware Reclaimed can help us understand the Black Canadian experience today and Canada’s history of racism. The film is currently screening virtually at the AGH Film Festival in Ontario until October 25. It’s one of Canada’s best kept secrets that there’s […]

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