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Canadian cinema

An image of David Thewlis in two of his best roles: one the left, Thewlis in Atom Egoyan's new film, Guest of Honour; on the right, Thewlis in Mike Leigh's Naked.

Alex Heeney / August 8, 2020

Remember David Thewlis’s greatness with Guest of Honour (or just rewatch Naked)

If you haven’t seen Naked, we’d suggest catching up with it on the Criterion Channel over watching Guest of Honour, but either will leave you hungry for more of Thewlis’ acting.

Seventh Row Editors / July 28, 2020

Ep. 50: Canadian YA Films

Many of the best recent Canadian films tell stories about young adults. This episode features YA fiction expert Joe Lipsett as we discuss what counts as YA, what is unique about Canadian YA films, and focus on six great films.

Seventh Row Editors / June 30, 2020

Ep 46: A conversation between Mina Shum and Philippe Falardeau

This episode highlights a session from our Lockdown Film School with writer-directors Mina Shum and Philippe Falardeau. In it, the two discuss their craft, compare notes on process, and discuss how they were inspired by each other.

Seventh Row Editors / June 9, 2020

Ep 45: The films of Anne Émond, from Nuit #1 to Nelly

Anne Émond is one of the most exciting Canadian directors working today and deserves wider international attention. Her films play with time and genre as they explore the connection between the physical and the emotional aspects of her characters.

HotDocs, HotDocs 2020

B. P. Flanagan / June 5, 2020

HotDocs 2020 is a reminder of the world beyond lockdown

As HotDocs 2020 goes online, B. P. Flanagan takes a whirlwind tour around the world with Mayor, Stateless, All That I Am, Love & Stuff, and Ottolenghi. HotDocs is a festival with a reputation for swift action. In 2018, just months after the Harvey Weinstein story broke and #Metoo launched into the stratosphere, the Toronto […]

Seventh Row Editors / May 26, 2020

Ep. 43: Take This Waltz and Paper Year: Canadian marriage stories

Take This Waltz and Paper Year are two standout Canadian films exploring the end of a marriage with empathy and emotional complexity. We discuss the film’s complex characters, considerate direction, and Canadianess

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