In Sofia Coppola's The Beguiled, violence erupts in Miss Martha's seminary, poorly-defended citadel of virtue, but the women never lose their poise. …
[Read more...] about Review: Grace and violence mingle in The Beguiled
A place to think deeply about movies
In Sofia Coppola's The Beguiled, violence erupts in Miss Martha's seminary, poorly-defended citadel of virtue, but the women never lose their poise. …
[Read more...] about Review: Grace and violence mingle in The Beguiled
My Cannes 2017 diary: Twitter reactions, reviews, and interviews about the films I saw in Cannes, covering the festival for @SeventhRow. I did not tweet about …
[Read more...] about Elena Lazic’s Cannes 2017 Diary: tweets and more
Presented in Critics’ Week, Chilean director Marcela Said’s Los Perros is part of a welcome resurgence of political films at the Cannes Film Festival. …
[Read more...] about Marcela Said on Los Perros: ‘As women, we take risks that men do not take.’
Los Perros fearlessly reveals the dilemma for women forced to choose between a desire to do whatever they want, and a desire to be recognised as political …
[Read more...] about Review: In Marcela Said’s Los Perros, the personal is political
Opening the Director’s Fortnight this year, Bright Sunshine In (Un Beau Soleil Intérieur) is an often disarming but always exciting new film from the French …
An interview with writer-director Alice Winocour on the genesis of Disorder, directing Matthias Schoenaerts, and the highly effective subjective sound mix. Read …
[Read more...] about Alice Winocour on Disorder, directing Matthias Schoenaerts