Great editing is invisible, which means it often goes unnoticed. We pick the best editing of 2017, and explain why it is crucial to flow, tone, and rhythm. Read …
[Read more...] about More than quick cutting: The best editing of 2017
A place to think deeply about movies
Great editing is invisible, which means it often goes unnoticed. We pick the best editing of 2017, and explain why it is crucial to flow, tone, and rhythm. Read …
[Read more...] about More than quick cutting: The best editing of 2017
In Call Me by Your Name, Luca Guadagnino uses framing and editing to expand and contract time, allowing us to experience it in the same way that Elio and Oliver …
[Read more...] about ‘You’re missing it!’: Tricks with time in Call Me by Your Name
We interview director Francis Lee talks about the technical aspects of making his first feature, from sound to camera movement to editing. This is is an excerpt …
[Read more...] about Director Francis Lee on the craft behind God’s Own Country
Frederick Wiseman on the making of his exquisite Ex Libris: New York Public Library, which is about the role of the library in society. This is an excerpt from …
In this excerpt from the ebook In Their Own Words: Documentary Masters Vol. 1, Director Sophie Fiennes discusses the making of Grace Jones: Bloodlight and Bami …
In this excerpt from the ebook In Their Own Words: Documentary Masters Vol. 1, Steve James discusses the making of his documentary ABACUS: Small Enough to Jail. …
[Read more...] about Steve James talks ABACUS: Small Enough to Jail