Editor Jane Rizzo discusses cutting Leave No Trace, developing the father-daughter relationship, building the soundscapes for different locations, and …
Editing
Director Tim Wardle discusses Three Identical Strangers
Three Identical Strangers director Tim Wardle discusses creating a thrilling yet respectful documentary, gaining the trust of his subjects, and making a …
[Read more...] about Director Tim Wardle discusses Three Identical Strangers
Nick Fenton on film editing: ‘You are that first audience’
On Chesil Beach’s editor discusses his role and how, no matter the style or genre, everything he does stems from the actors. Read the rest of our On Chesil …
[Read more...] about Nick Fenton on film editing: ‘You are that first audience’
Interview: ‘Cutting to amplify emotion’ in Lean on Pete
Editor Jonathan Alberts discusses the long, painstaking editing process on Lean on Pete, from screening dailies on location, to creating a sound temp track, …
[Read more...] about Interview: ‘Cutting to amplify emotion’ in Lean on Pete
Interview: Editing for ’emotional time’ in YWNRH
Editor Joe Bini discusses how he helped craft a visually striking, subjective film by experimenting in the edit. This is the third feature in our Special Issue …
[Read more...] about Interview: Editing for ’emotional time’ in YWNRH
More than quick cutting: The best editing of 2017
Great editing is invisible, which means it often goes unnoticed. We pick the best editing of the year, and explain why it is crucial to flow, tone, and rhythm. …
[Read more...] about More than quick cutting: The best editing of 2017