Editor Jane Rizzo discusses cutting Leave No Trace, developing the father-daughter relationship, building the soundscapes for different locations, and …
Editing
Director Tim Wardle discusses Three Identical Strangers
Three Identical Strangers director Tim Wardle discusses creating a thrilling yet respectful documentary, gaining the trust of his subjects, and making a …
[Read more...] about Director Tim Wardle discusses Three Identical Strangers
Nick Fenton on film editing: ‘You are that first audience’
On Chesil Beach’s editor discusses his role and how, no matter the style or genre, everything he does stems from the actors. Read the rest of our On Chesil …
[Read more...] about Nick Fenton on film editing: ‘You are that first audience’
Interview: ‘Cutting to amplify emotion’ in Lean on Pete
Editor Jonathan Alberts discusses the long, painstaking editing process on Lean on Pete, from screening dailies on location, to creating a sound temp track, …
[Read more...] about Interview: ‘Cutting to amplify emotion’ in Lean on Pete
Interview: Editing for ’emotional time’ in YWNRH
Editor Joe Bini discusses how he helped craft a visually striking, subjective film by experimenting in the edit. This is the third feature in our Special Issue …
[Read more...] about Interview: Editing for ’emotional time’ in YWNRH
More than quick cutting: The best editing of 2017
Great editing is invisible, which means it often goes unnoticed. We pick the best editing of the year, and explain why it is crucial to flow, tone, and rhythm. …
[Read more...] about More than quick cutting: The best editing of 2017
‘You’re missing it!’: Tricks with time in Call Me by Your Name
In Call Me by Your Name, Luca Guadagnino uses framing and editing to expand and contract time, allowing us to experience it in the same way that Elio and Oliver …
[Read more...] about ‘You’re missing it!’: Tricks with time in Call Me by Your Name
Director Francis Lee on the craft behind God’s Own Country
Director Francis Lee talks about the technical aspects of making his first feature, from sound design to camera movement to the editing process. This is our …
[Read more...] about Director Francis Lee on the craft behind God’s Own Country
‘Cutting at right angles’: Frederick Wiseman on Ex Libris: New York Public Library
Frederick Wiseman on the making of his exquisite Ex Libris: New York Public Library, which is about the role of the library in society. Ex Libris: New York …
TIFF17 Interview: Sophie Fiennes on Grace Jones: Bloodlight and Bami and performativity
English director Sophie Fiennes became a truly recognisable name after her two very popular, playful yet rigorous essay films on Slovene philosopher Slavoj …
