Every documentarian has a unique approach to filmmaking, but you might not expect that Frederick Wiseman and Gianfranco Rosi often have polar opposite …
[Read more...] about Two opposing sensibilities: Gianfranco Rosi and Frederick Wiseman
A place to think deeply about movies
Every documentarian has a unique approach to filmmaking, but you might not expect that Frederick Wiseman and Gianfranco Rosi often have polar opposite …
[Read more...] about Two opposing sensibilities: Gianfranco Rosi and Frederick Wiseman
In our second behind-the-scenes look at the film, Gianfranco Rosi talks editing Fire at Sea: how he narrows down his documentary footage and shapes it into …
[Read more...] about How do you edit a documentary? Gianfranco Rosi on Fire at Sea
Penny Lane (Our Nixon) discusses NUTS!, the importance of pacing in her creative nonfiction exploration of pseudoscience, why they used animated …
[Read more...] about Penny Lane on NUTS!: a gullible audience
In this interview, Andrew Haigh discusses 45 Years, shooting long takes, keeping us in Kate’s head space, and editing the film before the editing room. You can …
Master documentarian Frederick Wiseman discusses his editing process and how it informed how he shot In Jackson Heights. This is an excerpt from the ebook In …
[Read more...] about Wiseman talks making In Jackson Heights
British writer-director John Boorman has been making films since the 1960s, and has said that Queen and Country — a sequel to his autobiographical World War …
[Read more...] about Queen and Country director John Boorman’s 8 lessons